25 September 2010


This is one of those movies I know so well and love so much (and I know I'm not alone), I have almost nothing to say about it. Truth be told, I put this on while I put away my laundry, thinking I'd be interrupted long before it was over, but a delay in plans allowed me to finish it. Can't argue with the chance to sit through a classic.

Everything here moves so smart, with not a single wasted frame of picture or word of dialogue, it's no wonder they use this as the example of a "perfect" screenplay or a "perfect" film production. The themes are tight, the characters are so interesting, and the story works so well -- I want to say the plot lacks a single hole or inconsistency, but you know what? there may be many (I was always unclear why Ida Sessions knew about the obituary names, for example). Even if there are copious plot holes, though, it feels intuitively right. It feels consistent. It's even got totally reasonable red-herring rabbit holes for Jake to fall down, so the final twist doesn't feel like a cheat.

What do you want me to say? I absolutely fucking love this movie. There are a number of movies I can tell you why I love, but I can't be objective about. Movies like Chinatown, Dr. Strangelove, Blade Runner. These are examples of my top-tier movies, movies I'm mostly willing to just love without bias. Sometimes I wish I had more of them.

No comments: